Now, there aren’t many detail on the “tubeness” of the 376. I know the input and output stage are tube, but, I don’t know about the compressor, eq and de-esser. Bringing the drive down to extra resources a low level and switching on the high tube-voltage brought about a subtle thickening of the sound, which, again, I found musically useful. In combination with a higher drive level, the sound again became progressively warm, then thick, then quite distorted as the pre‑tube gain was increased.
- I was really hoping to watch the needle bounce toward and above the 0 db range as I talked on my FM/internet station.
- As long as you are comfortable and experienced enough with EQ, compression, and fine-tuning a tube mic-pre you should have no problems whatsoever with getting good sounds out of the Pro Channel.
- Cantaloupe was harvested from 9,300 acres , yielding an average of 295 short hundredweight per acre (33.1 t/ha; 14.8 short ton/acre), for a total harvest of 2,743,500 short hundredweight .
- I wound up resoldering several components and trimming the excess leads, some of which were precariously close to touching nearby circuitry.
In the 21st century, Arizona has frequently garnered national attention for its efforts to quell illegal immigration into the state. In 2004, voters passed Proposition 200, requiring proof of citizenship to register to vote. The Supreme Court of the United States struck this restriction down in 2013. In 2010, Arizona enacted SB 1070 which required all immigrants to carry immigration papers at all times, but the Supreme Court also invalidated parts of this law in Arizona v. United States in 2012. The Southern territory supplied the Confederate government with men, horses, and equipment.
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You get a more natural, musical sounding output and virtually transparent dynamic leveling. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical studio and live sound work. ART’s Pro MPA-II is a value-packed 2-channel tube microphone preamplifier. It’s loaded with the right complement of professional features to deliver a serious sonic upgrade for any project studio or mobile recording studio. For flexible flavor, the ART Pro MPA-II features variable input impedance, so you can dial in a range of tube tones to suit your microphones. What’s more, dual-mono and stereo support, and a mid/side miking switch give you the flexibility you need to tackle a wide range of projects and recording setups with the ART Pro MPA-II.
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Likewise, all new additions were made without compromise to the sound of the original designs , which have become standards in professional studios and FOH rigs around the globe. The Pro Channel defines the term “channel strip.” The Pro Channel is an impressive package from the world-wide leaders in tube dynamics signal-processing gear. Pick one up and catch your own tube-buzz at your favorite ART dealer today. Product Description The Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording channel.
Two Channels Of Art Tube Compression
I have NOS Telefunken and RCA tubes on the way to replace the Chinese stock ones, which should make it even better. Your vocs sound just fine to my tired, beaten, decaying ears.. For me it’s good for gentle accoustic music and or anything gentle but it’s not a hard rock and roll compresor unless as I say you are using it for tracking. Remember, don’t have to high expectations though if you looking for high-end world class sound quality. Its has not the same sound as Manley VoxBox, Focusrite and Avalon.
Thomann sent me a free IEC lead also which was great. No dedicated line in jack but mic in has a two stage gain input so is designed to cover this and instrument input on the front means the rear can stay hooked up. As opposed to a more typical VCA-driven level detection circuit, the Pro-VLA II uses an opto-electronic design, which allows more compression to be added to an audio source.
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The Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording channel. The Pro Channel features many new and exciting design enhancements to ART’s pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to select between ART’s award winning optical/tube compressor or the coveted tube circuit (a design made popular by the sound of the old broadcast limiters – now costing thousands of dollars). The tube circuit is fast, fat and a bit aggressive, and is guaranteed to become a legend among compressors as has the Pro VLA. The four-band parametric equalizer has selectable Q for the two sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry’s top studio and live-sound engineers.